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[Crítica] Festival de Sundance: Palm Trees and Power Lines – Am I OK?
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[Crítica] HBO Max: «Shithouse» (2020), de Cooper Raiff
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[Crítica] Festival de Sundance: My Old School – Utama
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[Crítica] Festival de Sundance: Call Jane – You Won’t Be Alone – Emily the Criminal – Good Luck to You, Leo Grande
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[Crítica] Festival de Sundance: Cha Cha Real Smooth – Sharp Stick – God’s Country
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[Crítica] Festival de Sundance: Master – Dual – Resurrection – Babysitter
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[Crítica] Festival de Sundance: When You Finish Saving the World – After Yang – Fresh
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[Crítica] «Petite Maman», de Céline Sciamma
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[Crítica] «Lamb», una rareza imperdible
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[Crítica] «Drive My Car», de Ryusuke Hamaguchi